Oil painting The Tale of Diana and Actaeon Litvinov Oleg Arkad'yevich

Diana and Actaeon: The Fateful Encounter by Litvinov Oleg Arkad'yevich

Is an evocative oil painting that delves into the dramatic mythological tale of Diana and Actaeon, masterfully brought to life by Oleg Arkad'yevich Litvinov. This piece, constituting the second part of a compelling diptych, encapsulates the moment of unintended intrusion and the impending transformation that defines this ancient story. "The Tale of Diana and Actaeon" stands as a testament to Litvinov's capacity to weave narrative depth into visual form. The painting serves not only as a window into the rich tapestry of myth but also as a reflection on the perennial themes that continue to resonate across time. It is a captivating exploration of the eternal dance between the mortal and the divine, inviting viewers to lose themselves in the depth of its storytelling.

About the Artwork

• Title: "The Tale of Diana and Actaeon" - Part Two
• Artist: Litvinov Oleg Arkad'yevich
• Dimensions: 59x30 cm/23.22x11.81 inches
• Medium: Oil on canvas
• CONDITION: we tried to convey the maximum information with the help of photos about this product

Condition and Detailed Viewing

Presented in impeccable condition, oil painting invites viewers to explore its every detail through comprehensive imagery, capturing all angles and facets of this stunning piece.

About the Artist

Born on August 27, 1957, in the city of Lubny, Poltava region. Graduated from the Odessa Theater and Art School (1982). Teachers in the specialty: S. Zaitsev, V. Merkalov, M. Vylkun. He worked in the field of painting, graphics. The main industries are easel painting, easel and book graphics. Author of multi-figure paintings on historical, religious and mythological themes, illustrations for books. Member of the National Union of Artists of Ukraine (1989). Collaborated with publishing houses: "Mayak" (Odessa, late 1980s), "Raduga" (1982-1991), "Dnepr" (1982-2000), "School" (2006-2010; Kiev). Creative work. Participated in exhibitions: city, republican, foreign (since 1982). Personal exhibitions - in Odessa (1982, 1992, 1997-1998, 2002, 2004, 2010), Munich (1995), Kiev (2000), Moscow (2002-2003). Major works: illustrations for books - "Children of Captain Grant" (1981), "English folk ballads" (1983), "Pan Tadeusz" (1983), "Those who were shipwrecked" (1986); The Triumph of St. George (1989); series of easel illustrations - for the collection "English folk ballads" (1983), the Bible (2008-2014), the story "Taras Bulba" (2012), the poem "The Divine Comedy" (2014); series - "Landscapes" (2014); illustrations for books - "Pan Tadeusz" (K., 1983), "Shipwrecked" (A., 1986), "Terrible revenge", "The Hound of the Baskervilles" (2006); The Lost World (2008), The Odyssey of Captain Blood, Tales of the Nations, The Defense of Bushey (2010); painting - "Triumph of St. George" (1989), "Perseus and Andromeda" (1996), "Susanna and the Elders", "Calvary" (1997), "Triumph of Galatea" (1998), "Christ before Pilate", "St. George "," Glory "," The Emperor "," Nymph and the Unicorn "(1999)," Venus and Mars "(2000)," Bacchus and the Amazon "(2001)," The Abduction of Europa "," Ivan Bohun under Bar "," Sirens attracting "," Calisto "(2002)," Neptune ", triptych -" Diana and Actaeon "," Sphinx "(2003)," Atonement "(2004)," B. Khmelnitsky "(2006)," Triumph of Venice "(2008)," Venus of the XX century ", triptych -" Revelations of John the Theologian "(2010)," The Last Supper "," Perseus and Andromeda "(2012)," Archangel Michael "( 2014). Some works are kept in the Odessa Literary Museum, V. Ryabov Gallery (Moscow). Lived and worked in the city of Odessa.

Myth Reimagined

Set against the secluded backdrop of a sacred grove, the painting captures the critical moment when Actaeon, the unfortunate hunter, stumbles upon the goddess Diana bathing. The composition skillfully juxtaposes the innocence of discovery against the foreboding sense of doom. Diana, depicted with ethereal grace and divine wrath, is at the focal point, her figure radiating with the luminescence of divinity and the sternness of impending judgment.

A Palette of Emotions

Litvinov employs a rich palette to convey the complex emotions entwined in this scene. The cool, serene blues and greens of the forest contrast sharply with the warm, vibrant tones highlighting Diana, symbolizing the clash between mortal inadvertence and divine omnipotence. The careful application of light and shadow not only accentuates the figures but also contributes to the heightened tension of the narrative.

Narrative Depth

This painting goes beyond mere depiction; it invites the viewer to ponder the themes of voyeurism, divine retribution, and the fragile boundary between the human and the divine. Through "The Tale of Diana and Actaeon" Litvinov navigates the intricate dance of fate and free will, embedding the timeless narrative within the layers of paint.