• Oil painting Terrible rites in Somalia Yulia Lihina
  • Yulia Lihina's Oil Painting: Terrible Rites in Somalia
  • Terrible Rites in Somalia: Oil Painting by Yulia Lihina
  • Oil Artwork: Terrible Rites in Somalia by Yulia Lihina
  • Somalia's Terrible Rites in Oil: Painting by Yulia Lihina
  • Yulia Lihina's Oil Painting Depicting Terrible Rites in Somalia
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Oil painting Terrible rites in Somalia Yulia Lihina

Oil painting Terrible rites in Somalia Yulia Lihina

$5,865.37 CAD
$5,865.37 CAD
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Description

"Terrible Rites in Somalia" by Yulia Lihina: A Poignant Look at Cultural Practices and Human Rights

Artistic Overview

"Terrible Rites in Somalia" is an evocative oil painting by Yulia Lihina that delves into the troubling and sensitive subject of female genital mutilation (FGM) as depicted in the film "Desert Flower." This artwork is an essential addition for collectors looking to Buy a Oil painting from the Collection of Contemporary Art and the Collection of Portraits & Genre.

Narrative and Visual Elements

The painting portrays a clinical scene where a young woman lies vulnerable on an examination table, attended by a figure that could be seen as both a medical professional and a symbol of cultural enforcement. The use of muted tones and stark contrasts captures the somber reality of FGM, reflecting the physical and emotional trauma endured by the victims. The portrayal of the woman, with her resigned expression and subtle positioning, evokes a powerful emotional response, encouraging the viewer to contemplate the deeper implications of such cultural practices.

Symbolism and Technique

Yulia Lihina utilizes a minimalist yet profound style, focusing on the interaction of light and shadow to underscore the intensity of the scene. Her technique emphasizes the emotional gravity of the moment, making a compelling statement about the enduring impact of such rites on women's lives.

Cultural and Social Commentary

This painting is more than an artistic expression; it serves as a commentary on the resilience of those who survive such practices and become advocates for change. It invites viewers to reflect on the cultural, ethical, and personal ramifications of FGM, promoting awareness and advocating for the cessation of harmful traditions.

About This Painting

Artwork Details

  • Title: "Terrible Rites in Somalia" - Scene from the film: Desert Flower
  • Artist: Yulia Lihina
  • Size: 68x100 cm/'26.77x39.37 inches'
  • Medium: Oil on canvas
  • Hand Painted: Original painting from our collection

Condition and Detailed Viewing

Presented in impeccable condition, oil painting invites viewers to explore its every detail through comprehensive imagery, capturing all angles and facets of this stunning piece.

About the Artist

Yulia Lihina, born on November 10, 1984 in Kharkov, Ukraine, was a very restless and stubborn child. At three years old, her mother showed her how to draw to calm her down. Julia attended art studio and art school from 1989 to 2002. This experience helped her understand how to live further, since she could not imagine her life without colors and art.

She graduated with honors from the Kharkov Art School (2002-2007), painting department, becoming an artist and teacher. During her studies, Julia painted many paintings to order, including stills from films, which was an interesting experience for her.

After graduating from school, she got married and soon became the mother of two children. After the divorce, she tried to return to painting, but her children did not allow her to do so. While working for a network company while on maternity leave, she saw how artists painted and sold their paintings, which inspired her to take up painting again. She quit her online business and started over with support from family and friends.

In 2019, Yulia began studying how artists work on the Internet. In 2020, she took a course on blogging and selling paintings abroad, starting to paint during the quarantine period. She considers the Internet the best direction for developing and promoting her creativity around the world.

On February 24, 2022, war began in her country. Initially, Yulia thought that everything would end quickly, but then she had to leave home, experiencing pain and depression. She quickly coped with it, started volunteering and received a grant to purchase art materials. This gave her the motivation to move forward and do something she had wanted to do since she was three years old.

Julia draws inspiration from films, loving the genres of biography, thriller, crime, detective, comedy, history, sports, drama and romance. She loves to convey the complex emotional states of actors on camera and finds cinema a special source of inspiration.

Her favorite artists are Levitan, Polenov, Serov, Repin and many others in this style. She specializes in drawing, painting and landscapes, working primarily in oil, charcoal and pastel. Julia primes the canvases herself, using the techniques of the old masters and imprimatura.

Collector's Insight

For art collectors and enthusiasts, this painting offers a unique opportunity to acquire Affordable Original Art that is not only aesthetically striking but also socially and culturally significant. It is particularly valuable for those interested in artworks that challenge perceptions and provoke discussions on human rights.

Conclusion

"Terrible Rites in Somalia" stands as a testament to Yulia Lihina's commitment to addressing challenging themes through her art. It is a poignant reminder of the painful realities faced by many women and girls worldwide and a call to action to protect and empower vulnerable populations. This piece is a significant addition to any collection, representing a bridge between art and advocacy, and highlighting the power of visual media to influence social change and support human dignity.

Explore this and Other works by Yulia Lihina in our comprehensive Collection of Contemporary Art, showcasing unique perspectives and profound narratives that resonate across cultures and epochs.

Artist

Yulia Lihina

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    You can return the painting within 30 days without giving a reason